Olivia J. Bennett 

is a writer, editor & critic.


She works across narrative development, editorial strategy and cultural insight for creative, design-led projects.

Her writing spans screen, sound, software and the systems that shape them.


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EUSEXUA
FKA twigs

FKA twigs makes her long anticipated return with her third studio album, EUSEXUA, an ecstatic, otherworldly plunge into avant-dance-pop. Her fluid, meditative vocals weave through percussive highs and lows, vibrating with a soft yet full-bodied confidence—somewhere between Björk’s elastic range and Madonna at her most ethereal. The album breathes—rising, falling, pulsing—drawing from techno and acid house’s hypnotic beats, ambient and baroque pop’s grandeur, trip-hop and experimental R&B’s murky sensuality and the sharp, kinetic rhythms of ballroom and vogue. ‘Girl Feels Good’ is hypnotic in its simplicity: “When a girl feels good / It makes the world go ‘round”. ‘Death Drums’ pounds with SOPHIE’s hyperpop aggression and Death Grips’ digital hardcore before dissolving into a whisper-soft plea: “Drop your skirt to the floor / Tear your clothes, body torn”. On ‘24hr Dog’, warbling, polyphonic vocals coil around fuzzy guitar, surrendering completely: “Please don’t call my name / When I submit to you this way / I’m a dog for you”. An all consuming vision of femininity, EUSEXUA feels everything, everywhere, all at once–desire and destruction, surrender and power, ecstasy without limits.